One of the hardest things about this class was trying to control the spread of light on the floor. When trying to light a cue most of the though was put into thinking about how the light would directly hit the actor. How would that direct light hit their face? what shadows would it create? what color would it be? It was easy to overlook the reflection from the light hitting the ground and also what the spread would look like. The photo above that I choose is a shot that I tool of my car. I choose this photo because unlike a photo during the daytime when the light is pretty even across the floor, in this photo you can see where it starts and ends. It wasn't something I was thinking about too much when I was lighting this. I was mainly thinking about how the light would hit the car itself. I also used a red gel to light the inside of the car.
Saturday, December 5, 2009
floor spread
One of the hardest things about this class was trying to control the spread of light on the floor. When trying to light a cue most of the though was put into thinking about how the light would directly hit the actor. How would that direct light hit their face? what shadows would it create? what color would it be? It was easy to overlook the reflection from the light hitting the ground and also what the spread would look like. The photo above that I choose is a shot that I tool of my car. I choose this photo because unlike a photo during the daytime when the light is pretty even across the floor, in this photo you can see where it starts and ends. It wasn't something I was thinking about too much when I was lighting this. I was mainly thinking about how the light would hit the car itself. I also used a red gel to light the inside of the car.
Light Positions
Early Morning

Silhouette
I really think that this photo is a great example of using back lighting to create a silhouette. Obviously the photographer photoshoped the image to enhance the darkness, but it really emphasizes the loneliness in the photo. Even though our eyes are more likely to be drawn towards brighter objects in a photo, I find that my eyes instantly go to the silhouette of the little girl instead. I think surrounding the smaller dark image of the girl with light causes that. Also, the lit floor is very busy with crazy patterns and shapes, that my eyes want to see the more simple shapes in the photo, which is the little girl. I really like the fact that no color was used in this photo; it really makes me feel alone in a dark and unforgiving place.Burned Bridges
This is a picture of a bridge in San Diego. I live in the Bay Area and have seen my fair share of bridges at night, but I saw this last Friday when I was in San Diego and it took my breath away. I know it's a far away picture, but the designer made such an eclectic design. The design is so beautiful. The electric blue is piercing and took me by surprise! The bridges in Northern California are beautiful at night, but this was a design I had never seen before. It was not the typical amber street lights. It has blues and reds and greens. It seemed unreal! What I really like is the reflection of the lights in the water. It looks so amazing, especially with the sunset in the back round. In the moment it was very romantic, the buildings were in complete silhouette and the bridge was surrounded by this gorgeous sunset. The worst of the cynics could not disagree. :)
African Sunset

This is an image of a hotel that is being lit up by LED lights. I really like the soft purple and blue tones. I have always been amazed about LED lights because they can be so small yet pack so much of a punch in terms of lighting. There are four LED lights packed into by blackberry underneath my trackball and it can change colors depending on the intensity is set each LED light at.
The lighting source is at the bottom of the hotel ground floor and is really bright. I am very impressed that the light from the ground floor can reach over 10 stories high, but still be so strong intensity wise over that huge distance. I am impressed that such small little lights can be so bright and use so little electricity. Because LED lights only come in blue, red and green, the lights that were obviously used to light this hotel must have been red and blue. I am fascinated at the varying colors that result from mixing and blending the LED lights. It seems that the purple light must have more red LED lights shining on there than blue lights because the purple light is more warm than cool and looks more pinkish rather than violet. The blue light probably has more blue LED lights shining than red because the hue is more cool color temperature wise.
Something that may help the lighting design on this hotel is maybe have a gobo of the hotel’s name shining in white light somewhere on the hotel. I feel like that would make the lighting design pop and be more interesting and different to look at. I like that the trees are not lit up by any light source. I feel like that would distract from the overall lighting design, making the lights on the hotel seem more pale or dull due to the reflection from the trees. I wonder if there is any reflection into the individual hotel rooms from the LED lights or if the lights bothered the guests.
Finsbury Ave


Friday, December 4, 2009
Dressing Rooms
Thursday, December 3, 2009
Bash--A Pipeline Players' Production
At the start of the production process, the Bash team's biggest concern was transforming Studio 4 into a jazz lounge, our setting for the show, with a budget of... $100. That wasn't a whole lot of money, but we made it work. To set the mood of a jazz lounge, we had a pianist and a singer, a bar, and special seating at tables. We decided that the majority of our budget was to be spent on lights--that is, household lamps. We scored 3 lamps from IKEA for about $60, used lamps we had in our own apartments, and set up Christmas lights to create the lounge atmosphere. Personally, I think we were extremely resourceful in our lighting and the lighting made such a HUGE difference in transforming Studio 4. It really surprised me how much we could do using 3 standing lamps, 2 desk lamps, and some Christmas lights. I'm really proud of what Pipeline accomplished in this production and now knowing that we can put on these really amazing productions with a limited budget is great for the rest of our 2009-2010 season.
Backstage Discoveries
Graffiti! With light! Oh man!
I'm sure everyone's seen the Sprint commercials with the light graffiti. It's danged cool. It's the only kind of graffiti to cause no damage, no lasting mark, and will only ever be seen by people who view the photo of its creation. AND IT'S STILL FUN.Here's how it works: take a camera and set it on a tripod in a dark place. Keep the exposure for something like 10 to 30 seconds-- however long you want to make your masterpiece. Set the camera to iso100 and close the aperture as much as you can. Press your go button. Then, with LED lights, glow sticks, cell phones, or whatever light-generating instrument you choose (Source Fours might be a bit of overkill), doodle in the air. Once your time is up, you have a beautiful piece of art on your camera, and no one whom you just drew on is any worse for the wear.
I love the idea that light can be paint, literally now, not figuratively. The color schemes are bright and cheery in a backdrop of cold night or endlessness.
Wednesday, December 2, 2009
Power Outage

So this was the day my power ran out. It was when I learned how important lights really are. I always knew how important electricity is, I use my computer, fridge, and printer quite often, but it did not hit how much I use my lights (and in this case bathroom light).
The light? The liiiiight!

Okay, so this picture may seem deceivingly simple, but it's one of my favorite pictures of light because I honestly have NO IDEA how that bulb turned into a glowing ball when hit with a camera flash! I think one of the things that fascinates me most about light is how various sources of light interact with each other. In this case, the light coming from the computer camera taking this silly picture of my sister and me makes the one light in my sister's dorm room look much brighter and full of light than it really was.
I'm not sure if it's reflection or combined light or just a simple reaction. In any case, I still don't completely understand how it works. I'm just amazed by how a simple fluorescent ceiling light turned into a very bright light source in this picture. I think it'd take some photography knowledge to really know, but I think it's a great example of how photography transforms light. Maybe we can take this knowledge and see how lights really interact with each other onstage. :)
birds eye view

When you think of plays and you think about watching them, mostly the same type of venue comes to mind, at least for me. I think of the standard stage in a generally rectangular room with all the seats pointed towards the stage. This shot makes me wonder about what it would be like to see/design a show that was made to be viewed from above. I think I heard it mentioned in class that it has been done before and I think it would be very interesting and different to see. This birds eye view is very different from what we usually see and it all allows for the viewers to experience a whole other aspect of the lighting. Shadows cast on the floors seem like they will have more impact and possibly meaning. Lighting the faces of actors might not be as important either. I like the clean look of this photo and can imagine the possibilities if a play were designed from this angle.
Quetzalcoatl

Tuesday, December 1, 2009

Opry House

I really like the lighting in this picture. It is a moderately bright day on the ocean, but there is remarkably no glare from the sun. I like that the light does a very good job sculpting her body. You can see how her body is flexing as she tries to maintain her balance on the board. This picture looks like it was taken mid day. I like that the sun does not light her face because it pulls focus onto how she is moving her body.
Two words I would used to describe this picture are content and playful. The natural sunlight lights the ocean very softly on this moderately sunny day. The brightness sets the mood of the picture as content and playful because it makes the waves look calm and blue. The blue is a content sky blue hue and reminds me of all those happy and playful summer days that we used to have when we are younger. This is the exact opposite lighting you get on depressing stormy days. The ocean and the waves look black with a lot of white froth where the wave breaks, making the beach seem very depressing.
Time continium

Light flash
Autumn Hanna
These are, believe it or not, igloos. I thought at first these were on the ocean until I took a closer look and saw the trees and snow. This is the Hotel Kakslauttanen in Finland. Not only is the idea of this fascinating to me, it is a breathtaking image. I love that the snow isn't white, but instead blue, creating a calm ambiance. The igloos themselves have an orange/yellow glow and then there are the pinkish/purple reflections. All the colors together give a sunset feel to the picture. I like the blending of the natural and man-made in order to create this artificial sunset.
Monday, November 30, 2009
Autumn Hanna
The first word that came to mind when I saw this image was stark. Initially, I though the lighting was very simple to the point that I thought it was not worth writing about. However, I found this image to also be very poignant and beautiful in its simplicity. I love the amber hue, the tones and the lighting reflecting off and being absorbed by the different surfaces. I like that the light is soft and brings out the ripples and imperfections in the sand. It also gives the woman in the picture a withered affect because she is blurry, which gives the impression that she has been walking for a while. What was once a simple image has become so much more.
Autumn Hanna
I like the backlighting of the image. It gives a gloomy feeling to the photograph, as if there is something foreboding on the horizon. Otherwise, the image has a youthful touch without the lighting. Even though the image is in black and white, I like that the image still has a lot of contrast. There is a lot of interest in the image, even though it is achromatic. The image has a very nostalgic feel to it in this way. This image could take place at any time within the last couple of decades. In terms of lighting for the stage, I could imagine this image as a flashback or in order to draw attention to the words and message rather than the actors themselves.
Spanish Beauty

Sunday, November 29, 2009
Light imitating Life
I was shopping at Fashion Island last weekend. It was a beautiful, bright day and I had my camera with me so I began taking photos of the pond with all the pretty fish. The water was crystal clear and completely mesmerizing because of the ripples being created by the fish themselves and the water fountains. It was midday and the strength of the sunshine made the different colors of the fish really pop out. I think I spent about 15 minutes by the pond, slowly circling it, deep in thought and fully appreciative of the amazing weather Southern California is blessed with! Coming from a cold, rainy country I don't think I've ever seen such a bright and sunny day EVER, let alone in mid-November!