This image of Chinese dancing has a very unique lightng cue. The colors used are very cool giving off a cold and almost lost feeling. This lost feeling is emphasized by the use of haze. The haze is built up so we can't see the dancers feet. This gives the impression that they are almost floating and are not in a realistic location. The cool color and use of haze combined together create a surreal atmosphere similiar to that of a man made purgatory.Monday, December 7, 2009
This image of Chinese dancing has a very unique lightng cue. The colors used are very cool giving off a cold and almost lost feeling. This lost feeling is emphasized by the use of haze. The haze is built up so we can't see the dancers feet. This gives the impression that they are almost floating and are not in a realistic location. The cool color and use of haze combined together create a surreal atmosphere similiar to that of a man made purgatory.
This image of stage lighting in this picture is very striking. The color used for this cue is a strong blue-green hue. This color emmulates a strong surreal atmosphere. It almost looks like the light is coming off of the fairies as the light and the costumes blend together. In addition to the color the gobos used that are reflecting off of the bac of the stage look like patterns of trees. These things combined give off the impression that the location is a forest perhaps taking place in a dream. The cue seems like it would be appropriate for a scene in A Midsummer Nights Dream in the forest. It is a very well structured and well lit light cue.
Sunset Silhouette

Sunday, December 6, 2009
Dancing Lights
This photo was taken when I was at a bar with some friends. The camera's flash didn't come on for the shot so in the darkness of the room the faces are almost impossible to see. What I love about it is the way the lighting effects are visible. While we were dancing the entire room was lit by moving and flashing multi colored streaks of light. But after a while in the room you got used to the lights and then didn't really notice them any more. So when I took the picture I was surprised by the colors that had been captured. When I took the photo again, this time with the flash on, none of the colors were visible as the bright flash of white light was more powerful.

Since this is a lighting class, how could I not talk about the infamous Red Light District in Amsterdam? For those of you who do not know about this place, it is like 10 times worst then our very own sin city in Vegas. Every night when the sun goes down, the curtains of these little shops open, revealing a prostitute behind a glass window. There, prostitution and marijuana are legal!
There apparently are 3 ladies working at the window that night in the picture. I like that the two hues used in this lighting design are an orangy red and a hot pink. These two hues are complimentary and work well with each other. These hues are very feminine, and thus we characterize them as being feminine, which are attributes sex workers want to be automatically characterized as. This bold hot pink looks fiercer in comparison to a baby pink. The high intensity of the lights and the bold hues makes the ladies look sexier than sweet and innocent. Another interesting thing is that the reflection from the red lights light up the sidewalk, used by onlookers. Since there is not much light from street lamp and the only sources of lighting are from prostitutes’ shops, a shifty mood created from all the lights.
This lighting here is very similar to the lighting design in “The Threepenny Opera” when the whores were first introduced in the brothel. That lighting cue may have been inspired by the Red Light District.


Saturday, December 5, 2009
floor spread
One of the hardest things about this class was trying to control the spread of light on the floor. When trying to light a cue most of the though was put into thinking about how the light would directly hit the actor. How would that direct light hit their face? what shadows would it create? what color would it be? It was easy to overlook the reflection from the light hitting the ground and also what the spread would look like. The photo above that I choose is a shot that I tool of my car. I choose this photo because unlike a photo during the daytime when the light is pretty even across the floor, in this photo you can see where it starts and ends. It wasn't something I was thinking about too much when I was lighting this. I was mainly thinking about how the light would hit the car itself. I also used a red gel to light the inside of the car.
Light Positions
Early Morning

Silhouette
I really think that this photo is a great example of using back lighting to create a silhouette. Obviously the photographer photoshoped the image to enhance the darkness, but it really emphasizes the loneliness in the photo. Even though our eyes are more likely to be drawn towards brighter objects in a photo, I find that my eyes instantly go to the silhouette of the little girl instead. I think surrounding the smaller dark image of the girl with light causes that. Also, the lit floor is very busy with crazy patterns and shapes, that my eyes want to see the more simple shapes in the photo, which is the little girl. I really like the fact that no color was used in this photo; it really makes me feel alone in a dark and unforgiving place.Burned Bridges
This is a picture of a bridge in San Diego. I live in the Bay Area and have seen my fair share of bridges at night, but I saw this last Friday when I was in San Diego and it took my breath away. I know it's a far away picture, but the designer made such an eclectic design. The design is so beautiful. The electric blue is piercing and took me by surprise! The bridges in Northern California are beautiful at night, but this was a design I had never seen before. It was not the typical amber street lights. It has blues and reds and greens. It seemed unreal! What I really like is the reflection of the lights in the water. It looks so amazing, especially with the sunset in the back round. In the moment it was very romantic, the buildings were in complete silhouette and the bridge was surrounded by this gorgeous sunset. The worst of the cynics could not disagree. :)
African Sunset

This is an image of a hotel that is being lit up by LED lights. I really like the soft purple and blue tones. I have always been amazed about LED lights because they can be so small yet pack so much of a punch in terms of lighting. There are four LED lights packed into by blackberry underneath my trackball and it can change colors depending on the intensity is set each LED light at.
The lighting source is at the bottom of the hotel ground floor and is really bright. I am very impressed that the light from the ground floor can reach over 10 stories high, but still be so strong intensity wise over that huge distance. I am impressed that such small little lights can be so bright and use so little electricity. Because LED lights only come in blue, red and green, the lights that were obviously used to light this hotel must have been red and blue. I am fascinated at the varying colors that result from mixing and blending the LED lights. It seems that the purple light must have more red LED lights shining on there than blue lights because the purple light is more warm than cool and looks more pinkish rather than violet. The blue light probably has more blue LED lights shining than red because the hue is more cool color temperature wise.
Something that may help the lighting design on this hotel is maybe have a gobo of the hotel’s name shining in white light somewhere on the hotel. I feel like that would make the lighting design pop and be more interesting and different to look at. I like that the trees are not lit up by any light source. I feel like that would distract from the overall lighting design, making the lights on the hotel seem more pale or dull due to the reflection from the trees. I wonder if there is any reflection into the individual hotel rooms from the LED lights or if the lights bothered the guests.
Finsbury Ave


Friday, December 4, 2009
Dressing Rooms
Thursday, December 3, 2009
Bash--A Pipeline Players' Production
At the start of the production process, the Bash team's biggest concern was transforming Studio 4 into a jazz lounge, our setting for the show, with a budget of... $100. That wasn't a whole lot of money, but we made it work. To set the mood of a jazz lounge, we had a pianist and a singer, a bar, and special seating at tables. We decided that the majority of our budget was to be spent on lights--that is, household lamps. We scored 3 lamps from IKEA for about $60, used lamps we had in our own apartments, and set up Christmas lights to create the lounge atmosphere. Personally, I think we were extremely resourceful in our lighting and the lighting made such a HUGE difference in transforming Studio 4. It really surprised me how much we could do using 3 standing lamps, 2 desk lamps, and some Christmas lights. I'm really proud of what Pipeline accomplished in this production and now knowing that we can put on these really amazing productions with a limited budget is great for the rest of our 2009-2010 season.
Backstage Discoveries
Graffiti! With light! Oh man!
I'm sure everyone's seen the Sprint commercials with the light graffiti. It's danged cool. It's the only kind of graffiti to cause no damage, no lasting mark, and will only ever be seen by people who view the photo of its creation. AND IT'S STILL FUN.Here's how it works: take a camera and set it on a tripod in a dark place. Keep the exposure for something like 10 to 30 seconds-- however long you want to make your masterpiece. Set the camera to iso100 and close the aperture as much as you can. Press your go button. Then, with LED lights, glow sticks, cell phones, or whatever light-generating instrument you choose (Source Fours might be a bit of overkill), doodle in the air. Once your time is up, you have a beautiful piece of art on your camera, and no one whom you just drew on is any worse for the wear.
I love the idea that light can be paint, literally now, not figuratively. The color schemes are bright and cheery in a backdrop of cold night or endlessness.
Wednesday, December 2, 2009
Power Outage

So this was the day my power ran out. It was when I learned how important lights really are. I always knew how important electricity is, I use my computer, fridge, and printer quite often, but it did not hit how much I use my lights (and in this case bathroom light).
The light? The liiiiight!

Okay, so this picture may seem deceivingly simple, but it's one of my favorite pictures of light because I honestly have NO IDEA how that bulb turned into a glowing ball when hit with a camera flash! I think one of the things that fascinates me most about light is how various sources of light interact with each other. In this case, the light coming from the computer camera taking this silly picture of my sister and me makes the one light in my sister's dorm room look much brighter and full of light than it really was.
I'm not sure if it's reflection or combined light or just a simple reaction. In any case, I still don't completely understand how it works. I'm just amazed by how a simple fluorescent ceiling light turned into a very bright light source in this picture. I think it'd take some photography knowledge to really know, but I think it's a great example of how photography transforms light. Maybe we can take this knowledge and see how lights really interact with each other onstage. :)
birds eye view

When you think of plays and you think about watching them, mostly the same type of venue comes to mind, at least for me. I think of the standard stage in a generally rectangular room with all the seats pointed towards the stage. This shot makes me wonder about what it would be like to see/design a show that was made to be viewed from above. I think I heard it mentioned in class that it has been done before and I think it would be very interesting and different to see. This birds eye view is very different from what we usually see and it all allows for the viewers to experience a whole other aspect of the lighting. Shadows cast on the floors seem like they will have more impact and possibly meaning. Lighting the faces of actors might not be as important either. I like the clean look of this photo and can imagine the possibilities if a play were designed from this angle.
Quetzalcoatl

Tuesday, December 1, 2009

Opry House

I really like the lighting in this picture. It is a moderately bright day on the ocean, but there is remarkably no glare from the sun. I like that the light does a very good job sculpting her body. You can see how her body is flexing as she tries to maintain her balance on the board. This picture looks like it was taken mid day. I like that the sun does not light her face because it pulls focus onto how she is moving her body.
Two words I would used to describe this picture are content and playful. The natural sunlight lights the ocean very softly on this moderately sunny day. The brightness sets the mood of the picture as content and playful because it makes the waves look calm and blue. The blue is a content sky blue hue and reminds me of all those happy and playful summer days that we used to have when we are younger. This is the exact opposite lighting you get on depressing stormy days. The ocean and the waves look black with a lot of white froth where the wave breaks, making the beach seem very depressing.
Time continium

Light flash
Autumn Hanna
These are, believe it or not, igloos. I thought at first these were on the ocean until I took a closer look and saw the trees and snow. This is the Hotel Kakslauttanen in Finland. Not only is the idea of this fascinating to me, it is a breathtaking image. I love that the snow isn't white, but instead blue, creating a calm ambiance. The igloos themselves have an orange/yellow glow and then there are the pinkish/purple reflections. All the colors together give a sunset feel to the picture. I like the blending of the natural and man-made in order to create this artificial sunset.
Monday, November 30, 2009
Autumn Hanna
The first word that came to mind when I saw this image was stark. Initially, I though the lighting was very simple to the point that I thought it was not worth writing about. However, I found this image to also be very poignant and beautiful in its simplicity. I love the amber hue, the tones and the lighting reflecting off and being absorbed by the different surfaces. I like that the light is soft and brings out the ripples and imperfections in the sand. It also gives the woman in the picture a withered affect because she is blurry, which gives the impression that she has been walking for a while. What was once a simple image has become so much more.
Autumn Hanna
I like the backlighting of the image. It gives a gloomy feeling to the photograph, as if there is something foreboding on the horizon. Otherwise, the image has a youthful touch without the lighting. Even though the image is in black and white, I like that the image still has a lot of contrast. There is a lot of interest in the image, even though it is achromatic. The image has a very nostalgic feel to it in this way. This image could take place at any time within the last couple of decades. In terms of lighting for the stage, I could imagine this image as a flashback or in order to draw attention to the words and message rather than the actors themselves.
Spanish Beauty

Sunday, November 29, 2009
Light imitating Life
I was shopping at Fashion Island last weekend. It was a beautiful, bright day and I had my camera with me so I began taking photos of the pond with all the pretty fish. The water was crystal clear and completely mesmerizing because of the ripples being created by the fish themselves and the water fountains. It was midday and the strength of the sunshine made the different colors of the fish really pop out. I think I spent about 15 minutes by the pond, slowly circling it, deep in thought and fully appreciative of the amazing weather Southern California is blessed with! Coming from a cold, rainy country I don't think I've ever seen such a bright and sunny day EVER, let alone in mid-November!
Friday, November 27, 2009
Stary night.

Thursday, November 26, 2009
I find this picture really interesting and curious because it is taken underwater rather than on land. I'm curious to think that because of refraction and stuff if the lighting ever turns out right in photos or if the photographer used photoshop or something to adjust the image and such. I think it's such a darling photo because you can see from the top of the photo the bright light and then how it gets darker as you go deeper in the water. I just think this is an interesting photo to share and I'm excited that I found it.
Light and Texture

This picture is from one of my favorite photo shoots ever. My aunt had just adopted three baby bunnies and as soon as they came to visit me, I pulled out my camera and my flash. Normally when I do a photo shoot, I take a good fifteen minutes to set up the lighting; I like to make sure the light is flattering, soft and I want to make sure there are no hot spots. However, as anyone who has worked with animals know, most animals will not stay still for fifteen minutes. So I just pointed my flash behind me (for the light to bounce off the white wall and back onto my subject) and hoped the lighting would be ok as I concentrated on keeping the bunnies together on the box. I didn't realize it at the time, but because the bunnies were so furry, I could have put the light anywhere towards them and it would have been ok. Hot spots come when too much light hits a single spot on the subject then reflects back to the eye. It is extremely unnatural looking (you rarely see hot spots in real life) and I hate them. But all three bunnies have extremely dense fur, which absorbs most of the light. Therefore it makes it nearly impossible to have hot spots, because of the texture of the subject. So lesson learned: it is not only about what light you put onto a subject, but about how the light bounces back into your eye. You could have terrible lighting but with a subject like a cute bunny with dense fur, the subject will still end up looking like it is evenly lit.
Tuesday, November 24, 2009
Sprinkles


Monday, November 23, 2009
Workings of Fire. Or Salt, Really

Though far from the fourth of July, I still live in relatively close proximity to the ever-exploding fireworks courtesy of the Happiest Place on Earth. Fireworks have always captivated me not only because of the spectacle they produce, but that there unique history, shape, and color variation are all products of intricate science and chemistry. Rather than let my mind sink away into meaningless mush at the sight of their utter awesomeness, I decided to deliberately and meticulously suck the fun out of them all and wikipedia their wondrous chemical reactions and catalysts that make those cool smiley faces or the ones that drizzle down in all white sparkly showers.
Apparently, creating the phenomenon of the firework and its color is a complex endeavor, requiring both artistic talent (hello, lighting design!) and application of physical science. Apart from mere propellants or special effects, the bits of light emitted from fireworks, coined 'stars', require an oxygen-producer, fuel, binder, and color producer. The two main means of producing color are achieved through incandescence and luminescence.
I don't want to lose anyone here, but essentially, when the temperature of a firework is closely controlled, the glow of its component (i.e. charcoal) can be altered to a desired degree of intensity (just like in lighting!) which correlates with that specific temperature and good timing. Metals like aluminum, magnesium and titanium all burn very brightly and are ideal for increasing the temperature of the firework. Additionally, Luminescence is an important aspect in that it is produced using energy sources aside from heat. It can occur at both room temperature and cooler temperatures. To create luminescence, energy must be absorbed by an electron of an molecule, causing it to become excited and simultaneously unstable. As the electron declines to a lower energy state, the energy is emitted in the form of a photon (light). As we all know from part 1 of class, the energy of the photon determines its wavelength or color. Erego, colored fireworks!
The importance of this post was not to merely lecture on the physical compounds of fireworks, but rather, to further exemplify how closely related science and artistic design may be. These colors, salts, and patterns are not arbitrary; they require both extensive thought and scientific, calculating caution and thought. Plus, they're just a pretty sweet spectacle.
My Room
I recently moved. Glory be I haven't slept in about 10 days because packing and unpacking and transferring things and making sure my roommates are taken care of and finances and utilities and everything you could possibly imagine that would stress you out is happening all in the span of 1-2 days. So as I sit here amongst the last few boxes and strewn about trash I look to my right and see a bit of light coming from the window and on to my blanket and now I don't feel as flustered.Sunday, November 22, 2009
Light sources

Lightning!
When I saw this video, I instantly thought of how we discussed the way light would travel if we were able to slow it down to see it travel. It would start at an initial point and slowly travel through the air and flood the room. Even though this is lightning, I thought this video would be a great example of light travel. The video shows an initial flash of light in the upper-left corner of the screen, and then the lightning slowly travels through the air. I hope you all enjoy this video, I thought it was amazing to see the small details of lightning!
Flight Patterns
I saw this video a while ago, and I'm so glad I was able to find it again. There's something about this video that really made me appreciate light. All the simple patterns that these bugs are making in the air would be impossible to see without the light in the video. Even though the patterns seem to be just a crazy mess on the screen, when you look closer, there are some interesting spiral/spring like patterns. The contrast between the night sky and the yellow night is so beautiful too, it really makes you concentrate on the patterns. I know yellow light is tricky to use, but I really think the yellow light caught the feeling of confusion and peace. Plus the music gives it a relaxing feeling.
Saturday, November 21, 2009

Sorry for the blurriness. I took this picture of 6 street lamps in Vista Del Campo with my camera phone. I have walked by this lamp every night the entire summer, but I did not notice the difference in color temperature until I took this class. I noticed that the light in the center of the picture is a very cool blue light that is reminiscent of LED lights. However, I noticed that the other lights in the background were a more warmer brownish/orange that looks similar to the sodium vapor lights. The cool light was slightly brighter than the warm lights in the background.
Friday, November 20, 2009
Enlightment in the Dark
Fight Club is probably my favorite film to watch for lighting, which sounds a bit counterintuitive because it's so dark. But that's what I love-- the grimy yellow light illuminates the actors' faces with an almost begrudging quality. Day scenes are mostly overcast. In fact, the movie is so dark that a normally lit scene, like the airplane, appears startlingly sterile in comparison to the rest of the film.My favorite part of the movie is the end-- the hero solves the mystery, wraps up his own issues, and faces the horrific climax in very dim light, half-naked, holding someone's hand (I'm being vague in case you're the last person on earth who hasn't seen this). He has accepted that he doesn't know anything, that the world of Swedish furniture and light is a cozy lie, and he accepts that he is in the dark, illuminated only by explosions.


Thursday, November 19, 2009
The catologue picture

Tuesday, November 17, 2009
Out of Africa

This photo is from my trip to Africa that I went on a few years back. It was taken at sunrise and I love it because it captures the lighting of the sun's rays coming up. It is a cheerful picture in general, but what is also great about it is the way that the light reflects off of the glass window panes. The roof has so many different levels of texture due to the shadows that the light gives off. I also love all of the colors of light in the picture because they blend well together and the lighting is very subtle. This was one of the most beautiful mornings I ever awoke to!